NOTIONAL THEATRE

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“Electrifying, intelligent, physical theatre” – Theatre Wales

LATEST NEWS

WELL THUMBED in the South West

 

The inaugural Exeter Fringe Festival is welcoming Well Thumbed to the Barnfield Theatre on the 2nd and 3rd of August.

Here’s the Exeter Fringe Festival leaflet:


Presented by Notional Theatre at Chapter Arts in December 2018, CLARISSA!  blurs the boundaries between theatrical and cinematic forms. CLARISSA! combines the talents of writer/director Terry Victor and BAFTA CYMRU-nominated film-maker Christian Britten to conjure a multi-layered visual mindscape with choreography by Tamsin Griffiths.

The remarkable Angharad Berrow played Clarissa.


CLARISSA! is irreverent and witty, shocking and tragic – a surprisingly intimate study of an unreliable modern icon that promises a truly cinematic experience that questions what is truth and what is nostalgia. 

This production of CLARISSA! was being supported by Arts Council Wales


Meanwhile...

Well Thumbed was in the Bloomsbury basement of Waterstones on November 9th, 2018. If you missed it you missed a treat.

the story so far –

Notional Theatre has existed as an informal occasional company since 1986, as a small umbrella to shelter a variety of projects initiated by Terry Victor.
 
Over the years Notional Theatre has presented contemporary political theatre, including: NO OFFENCE (2008) and the Welsh premiere of Caryl Churchill's SEVEN JEWISH CHILDREN (2010); children’s theatre, including: JACKO’S JIGGUMBOB (1989-2005) and Grimms' HANS, MY HEDGEHOG (1993); stage adaptations drawn from literature: WELL THUMBED, a portmanteau of the bawdy, as an ensemble and revisited as a one-man performance (2000, 2016-2018), Tolstoy’s MEMOIRS OF A LUNATIC (1986) and ANISSIA (1990); interactive museum interpretation: THE BUTLER AND THE HOUSEKEEPER at Tredegar House (1998-2006); at Newport Museum, various interactive pieces and themed characters (2003-6). 

In September 2011, following advice from ACW, Notional Theatre was reconstituted as a formal enterprise in order to develop and tour FRAGMENTS OF ASH which had just enjoyed a critically acclaimed run on the Edinburgh Festival Fringe.

In November 2011 the beginnings of AWKWARD TURTLE FLIPS THE BIRD were shown as part of the WMC's Incubator and in March 2012 an 'instant performance' of Liu Xiaobo's YOU WAIT FOR ME WITH DUST was staged in the foyer of the Sherman Theatre. In May and June 2012, FRAGMENTS OF ASH toured to great reviews. AWKWARD TURTLE FLIPS THE BIRD took up much of 2013 and, among other outcomes, became a chapter in “Global English Slang’ (Routledge, 2014).

2014 was very experimental in tone and much concerned with responding to visual art. TWO OLD CORINTHIANS was created and performed for, and in front of, an untitled canvas by Helen Bur as a part of the Solve et Coagula exhibition which opened the Abacus gallery in Cardiff. THE GOSPEL OF NULLIFIDIAN was created with comic book artist Mike Collins and performed at Chapter as a script-in-development; the work explored the possibilities of graphic novels as a theatrical form. The third piece in this triptych was WHAAM! a short radio play by Terry Victor which responded to Roy Lichtenstein's painting of the same title; the play was commissioned for Arts Council Wales and Radio Cardiff. Notional Theatre was back at the Abacus for the Worldwide Reading for Edward Snowden.

In 2016 Notional Theatre was 30 years of age and celebrating our 5th birthday by revisiting a show that was 16-years’ old! There was some talk of developing a site-specific piece from ideas touched upon in AWAY WITH THE FAIRIES and having a birthday party. So far neither of those has happened. In 2017 WELL THUMBED, in collaboration with the fine artist Carl Chapple, enjoyed the full run of the Edinburgh Fringe Festival. 

Now, it’s 2018 and Notional Theatre is reformed and reborn again. As of April 24
th we became Notional Theatre C.I.C. (that’s a Community Interest Company), with a board of directors and a new bank account. We are the same old notion-driven company but with these structures now in place we should be in a position to bring an extraordinary piece of work to the stage. This one is inspired inspired by Picasso’s ‘Guernica’ and the aging process. It will be a mighty collaboration….